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・ Edmond de Stoutz
・ Edmond de Sélys Longchamps
・ Edmond de Talleyrand-Périgord
・ Edmond Deane
・ Edmond Debeaumarché
・ Edmond Decottignies
・ Edmond Delathouwer
・ Edmond Delfour
・ Edmond Delphaut
・ Edmond Demolins
・ Edmond Desbonnet
・ Edmond Dosti
・ Edmond Dubrunfaut
・ Edmond Duvernoy
・ Edmond Dyonnet
Edmond Dédé
・ Edmond E. Chang
・ Edmond Edward Wysinger
・ Edmond Elles
・ Edmond Ellison Smart House
・ Edmond Enoka
・ Edmond Eugène Valton
・ Edmond Faral
・ Edmond Fitzmaurice, 1st Baron Fitzmaurice
・ Edmond Fleg
・ Edmond Foley
・ Edmond Fortier
・ Edmond Francis Prendergast
・ Edmond François Valentin About
・ Edmond Frémy


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Edmond Dédé : ウィキペディア英語版
Edmond Dédé
Edmond Dédé (November 20, 1827, New Orleans, Louisiana – 1903, Paris, France) was a free-born Creole musician and composer. He moved to Europe to study in Paris in 1857 and settled in France. His compositions include ''Quasimodo Symphony'', ''Le Palmier Overture'', ''Le Serment de L'Arabe'' and ''Patriotisme''. He served for 27 years as the conductor of the orchestra at the Théâtre l'Alcazar in Bordeaux.
==Early life and education==
Dédé's parents had arrived in New Orleans from the French West Indies around 1809, after the Haitian Revolution. His father was a militia unit bandmaster. As a boy, Dédé first learned the clarinet, but soon switched to the violin, on which he was considered a prodigy. He would later go on to perform compositions of his own as well as those by Rodolphe Kreutzer, a favored composer of his. Dédé's teachers in his youth included violinists Constantin Debergue and Italian-born Ludovico Gabici, who was the director of the St. Charles Theater Orchestra. He was taught music theory by Eugène Prévost and New York-born black musician Charles-Richard Lambert, the father of Sidney and Charles Lucien Lambert.
Dédé's instruction from Gabici ended when white hostility towards musicians of colour forced him to flee to Mexico. He continued his studies there. When he eventually returned to the US around 1852, he worked as a cigar maker, saving money to be able to travel to Europe. He went first to Belgium, then Paris, where he managed to obtain an ultimately successful audition at the Paris Conservatoire in 1857. He studied at the Conservatoire with Jean Delphin Alard and Jacques-François Halevy.

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